More than a half century after the first inexpensive cameras originally made it possible, the state of indie filmmaking is impressive to behold. This important style of film production today ranges from casual affairs made over the course of an afternoon on a budget of nothing to multi-million-dollar passion projects that see widely recognized commercial directors setting their muses free. Part of the reason for the impressive range of recent accomplishment in the sector has been the rise of a kind of Los Angeles indie production company that makes it easy for independent filmmakers of all sorts to complete their projects on time and under budget.
For many years, indies were forced to go it largely alone. With relatively little money attached to most independent projects, the major players in the industry were rarely willing to help out. This meant that ambitious indie directors would find themselves forced to master everything from day-to-day production to technical details like editing and sound design. While some few succeeded or found the necessary help, there can be no doubt but that plenty of worthy projects were left to languish on the cutting room floor.
That is much less of an issue today, thanks in large part to companies like Gilded Cinema. Focused on working with small-scale and independent filmmakers, they offer a whole range of services that can contribute to the success of a project. Although making use of their services will cost something, as can be seen at gildedcinema.com, they provide them at prices that can make excellent sense even for indies who scrape by on the most meager of budgets.
Most importantly, the members of this new wave of indie-focused companies invariably commit to the kind of flexibility that most benefits small-time filmmakers. While large-scale commercial film productions often make use of relatively rigid production and post-production accommodations, indies tend to be much more varied with their needs. The prospect of being forced into a set schedule of services and deadlines is something that frequently kept indie filmmakers from seeking help in the past, but this is no longer a necessary one.
There is not doubt that the present-day vitality of the indie film-making scene owes a great deal to the ambition and talents of countless independent film makers. It is likely, though, that the often under-sung supporting services they so frequently rely on today have been, and will continue to be, nearly as important.