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Vocal exercises for singers are the most important steps vocalists can use to prepare their voices for singing. Not only do these singing exercises help to warm-up and wake-up the voice, these exercises also help to protect the voice from strain and damage.

Performing these vocal exercises prior to any type of strengthening exercises or vigorous singing will also assist with relaxing the body and getting the muscles ready for more strenuous activities. Some warm-up exercises also provide voice training and examples of these types of drills will teach breath control, diction, blending, and balance.

Singers who are in the early stages of their career are still in the process of knowing their own voice which means they may not fully understand how much preparation is needed with regard to warm-up routines. In general, the new singer will definitely benefit from performing these special singing exercises because they are primarily exercises that provide awareness of the singers overall readiness to sing. This type of singer is attempting to find the right coordination of breath with their vocal cords.

It is important to remember that you can over use your muscles during these warm-up exercises. However, this is generally unlikely and executing these singing exercises in moderation has proven to have positive effects on the singer's voice. The vocal folds are controlled by tiny muscles and it is beneficial to the singer when these muscles have been warmed-up because they will be more flexible, easier to use, and less susceptible to injury.

Performing whole-body warm-up exercises can also be helpful to singers when preparing their voices for singing. Various unassertive stretching and relaxation body exercises can be used in order for the singer to become totally relaxed.

One example of a simple singing technique that could be used to demonstrate this overall relaxed feeling is for the singer to begin in a standing position and bend forward at the hips with the arms dangling freely at the sides. By shaking the arms occasionally, but gently for several minutes, the singer will become more relaxed.

Another stretching exercise that can be used for proper posture alignment would begin by standing with your feet flat on the floor and about shoulder width apart with your arms at your sides. Bring your arms rapidly upward and across your body in a circular motion until your arms are over your head. At the same time, they should be rising on to your tiptoes and taking in a deep breath.

To continue and complete this exercise, the singer should now exhale slowly and bring their arms back down to their sides in a circular motion. At the same time, they should be lowering their body back to their original starting position of standing with their feet flat on the floor. At the top of this stretch, the chest should be up with the shoulders back which demonstrates the actual ready position to begin singing. In order to perform this exercise accurately, the singer must exhibit a certain level of coordination and balance.

Once the initial body stretching exercises have been completed, the singer can begin with vocal warm-up exercises. A technique that has several names such as buzz, bubble lips, lip roll, or lip trill is used to help control breathing. You begin by exhaling through puckered lips to create a vibration by using only a steady note and making a fire engine sound go up and down. Eventually move to real notes and more tones. This exercise can also be done on the syllables "ee" or "oo", but the buzz forces you to use good breath support.

The next warm-up exercise is the fifth-slide. Start on the fifth tone with the syllable "wee" and slide down to the base. Continue to perform this exercise in different keys such as C or D major. This exercise can also be repeated with the syllable "zoo" and moving up a half-step in various different keys.

Now the singer can move forward into the five-tone scale exercise by first descending stepwise to the base with "so", "fa", "mi", "re", and "do". First use the syllable "na", then "nay", then "noh", and then "noo". Move up a half-step and repeat the scale again on each syllable.

Another valuable exercise a singer can use is an 8-tone descending scale (do,ti,la,so,fa,mi,re,do) on the syllable "noo". Again, try other vowel sounds such as "nah", "nay", "nee", or "m" as you move up a half-step with each repetition of the descending scale.

Follow all of these exercises with a descending arpeggio of "do", "so", "mi", "do", "mi", "so", "do". Repeat this exercise using the syllables "nay", "nee", "noh", and "noo" all the while moving up by half steps.

The final vocal exercise is the octave slide. Using the buzz technique and starting on any base note, slide up an octave and back down to the base by saying the "do" syllable. Repeat this exercise on "oo" syllable and continue moving up a half-step.

There are a vast number of singing tips and vocal exercises that can be used for warming-up the voice. The number of exercises and the amount of time required to prepare the voice for singing is dependent upon each individual singer. With patience and instruction, each singer will find a suitable method for warming-up their voice which will save time and energy.

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